Follow along with me as I show you how to paint a pear using the Griselle method of underpainting to establish values and then adding local color to create color harmonies.
Rubric:
35pts: Value underpainting in light layers understanding the light source and shadows.
35pts: The application of mixing colors. You will only have the primary colors and it is up to you to show adequate blending
30pts: Craftsmanship. I am looking for clean edges, purposeful brush making and an understanding of color theory.
Rubric:
35pts: Value underpainting in light layers understanding the light source and shadows.
35pts: The application of mixing colors. You will only have the primary colors and it is up to you to show adequate blending
30pts: Craftsmanship. I am looking for clean edges, purposeful brush making and an understanding of color theory.
Essential question: What is an Griselle and underpainting and how is it used to establish a painting?
How will we know if they’ve learned it?
Students will have a finished piece of art that can be considered for various competitions
What will we do if they don’t learn it?
Students will be re-taught and can utilized videos to re-work missing elements of their assignment.
What will we do if they have / have already learned?
Students can always go above and beyond the instructions to create a more challenging experience.
My students understand and can… by the end of the lesson
Have a vast knowledge base of organic and geometric forms.
Teks: 117.C ((2) Creative expression. The student communicates ideas through original artwork using a variety of media with appropriate skills. The student expresses thoughts and ideas creatively while challenging the imagination, fostering reflective thinking, and developing disciplined effort and progressive problem-solving skills. The student is expected to: (A) use visual solutions to create original artwork by problem solving through direct observation, original sources, experiences, narrations, and imagination; (B) communicate a variety of applications for design solutions; (C) use an understanding of copyright and public domain to appropriate imagery constituting the main focal point of original artwork when working from images rather than direct observation or imagination; (D) create original artwork to communicate thoughts, feelings, ideas, or impressions;
use an understanding of copyright and public domain to appropriate imagery constituting the main focal point of original artwork when working from images rather than direct observation or imagination;
How will we know if they’ve learned it?
Students will have a finished piece of art that can be considered for various competitions
What will we do if they don’t learn it?
Students will be re-taught and can utilized videos to re-work missing elements of their assignment.
What will we do if they have / have already learned?
Students can always go above and beyond the instructions to create a more challenging experience.
My students understand and can… by the end of the lesson
Have a vast knowledge base of organic and geometric forms.
Teks: 117.C ((2) Creative expression. The student communicates ideas through original artwork using a variety of media with appropriate skills. The student expresses thoughts and ideas creatively while challenging the imagination, fostering reflective thinking, and developing disciplined effort and progressive problem-solving skills. The student is expected to: (A) use visual solutions to create original artwork by problem solving through direct observation, original sources, experiences, narrations, and imagination; (B) communicate a variety of applications for design solutions; (C) use an understanding of copyright and public domain to appropriate imagery constituting the main focal point of original artwork when working from images rather than direct observation or imagination; (D) create original artwork to communicate thoughts, feelings, ideas, or impressions;
use an understanding of copyright and public domain to appropriate imagery constituting the main focal point of original artwork when working from images rather than direct observation or imagination;